Workshop »Life at the Dead Sea / Leben am Toten Meer« im smac - Archäologie in Sachsen - sachsen.de
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Click on the image to activate the 3D Model....
Click on the image to activate the 3D Model.
of wall paintings as part of the curriculum in the belief that
the less the students know of this drastic and extremely
damaging technique, the less likely they will be to use it. lt
is, however, a sad fact that
Andreas Schulze Goldleder zwischen 1500 und 1800 – Herstellung und Erhaltung Arbeitsheft...
In the case of gilt leather these skills had been lost completely at the end of the 18th century.
The aim of the presented work was the rediscovery of the lost knowledge. For this purpose
27 written sources about
TachyGIS – An Idea to Survey Archaeological Excavations with Total Station and...
The Hamburg Archaeological Museum maintained the development of all basic components of the so called Tachy2GIS software (Tachy2GIS 2019). The first prototype worked fine, so it
was interesting to test it over several months
The focus of the project was rather an efficient handling of mass data than a scientific innovation. The
methods support the practice of heritage protection not only for a small project region but state wide for the
Dr. Reiner Göldner, Monuments and More - Archaeological Geodata in Saxony. Saxon...
can be used to publish archaeological heritage areas at the World Wide Web as demanded by the INSPIRE initiative of the European Community.
WMS viewer with presentation of archaeological monuments *
ancient roads, assumed to be part of the Via Regia, where studied in this way. Many visibly
preserved remains, just like hollow ways or crop-marks, where documented. The method supports the
practice of heritage protection
Summary: On the issue of the historical context of
mining activities in the high and late Middle Ages
in the Niederpöbel region (Eastern Erzgebirge) ............... 185
Johann Friedrich Tolksdorf, Rengert Elburg,
Stangenglas Fundort: Leipzig, Hainstraße 8; 1997; Material: Glas mit Emailmalerei in grün,...
paintings as well as ceramic design. The style of the
enamel painting suggests that the glass was produced in the Bohemian part of
the Erzgebirge mountains – northern Czech Republic – in the first half of the
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